The Cosmic Attraction of Area-Themed Jewellery

For so long as mankind has fastened its gaze on the heavens now we have been captivated by area and the secrets and techniques it holds. The “Area Race” between Chilly Struggle rivals the USA and the USSR started within the mid-Fifties and peaked with Neil Armstrong’s first steps on the moon in 1969. This contest for astronautical supremacy spurred a fascination with outer area. Additional-terrestrial themes embodied the notion of exploration and pushing boundaries at a time when society was enthralled with all issues futuristic, and their aesthetic fell neatly according to the daring, experimental style so iconic of the period.

A wave of thematic design ensued, with motifs harking back to area journey percolating into the collections of high style designers in addition to the salons of essentially the most revered jewellery maisons. Diamond-set rocket brooches adorned lapels and stylized satellite tv for pc pendants hung from the ears of modern ladies. 

Banner picture: Van Cleef & Arpels’ “crater” cuffs, in all probability courting from the Seventies. Above: A diamond-set “Sputnik” brooch courting from the Fifties, by Cartier.

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The home of Cartier designed a line of stylised urchin-like “Sputnik” jewels, hemispherical gold domes punctuated with radiating polished spines, as a nod to the primary synthetic satellite tv for pc despatched into orbit by the Soviet Union in 1957.

This sapphire-set "Sputnik" brooch by Cartier pays homage to the first satellite successfully sent into the Earth's orbit by the USSR in 1957.
This sapphire-set “Sputnik” brooch by Cartier pays homage to the primary satellite tv for pc efficiently despatched into the Earth’s orbit by the USSR in 1957.

“Crater” bijouterie appeared shortly after with outsized earrings, cuffs and brooches crafted from gold labored into undulating, sculptural, low-relief landscapes harking back to the rugged floor of the moon. Van Cleef & Arpels produced a sequence of jewels with this attribute molten texture, the earrings and cuffs of which Jacqueline Kennedy Onassis was photographed carrying as she shook palms with Mohammed Ali at a New York social gathering in 1977.

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The enamel and diamond-set "Moon Crater" necklace was designed by Roy King, a 1960s English jeweler.
The enamel and diamond-set “Moon Crater” necklace was designed by Roy King, a Nineteen Sixties English jeweler.

The “Moon Crater” necklace, made by the English jeweler Roy King within the early Nineteen Sixties, was produced as an entry to the De Beers Trendy British Jewellery Competitors which known as for entries that had been “each experimental and exquisite, frankly belonging to 1961, which might not have been made at another time,” and the celebrated English engravers and silversmiths Louis Osman and Malcolm Appleby designed a mannequin of the moon sculpted in gold to commemorate the Apollo 11 mission. Set with a single circular-cut diamond marking the placement of the historic touchdown, the primary three made had been offered to crew members, astronauts Neil Armstrong, Buzz Aldrin and Michael Collins, and a fourth to Rose Kennedy.

The first editions of this exquisite gold and diamond model of the moon by Louis Osman and Malcolm Appleby were presented to the crew of the Apollo 11, which landed the first men on the moon in 1969.
The primary editions of this beautiful gold and diamond mannequin of the moon by Louis Osman and Malcolm Appleby had been offered to the crew of the Apollo 11, which landed the primary males on the moon in 1969.

Regardless of the propagation of space-centric affect between the Nineteen Forties and Seventies, celestial topics have existed in jewellery design for tons of of years. Throughout the Victorian period jeweled crescent moons, suns, and starbursts proliferated among the many treasured objects with which ladies selected to decoration themselves, suspended round necks or pinned into hair. These had been fastidiously chosen by the wearer to specific particular romantic or sentimental notions, with stars signifying course and steering, and moons symbolizing spirituality and feminine empowerment.

Cartier's diamond-set "rocket" ear pendants are typical of the influence of the Space Race on top-end jewelry design from the 1950s onwards.
Cartier’s diamond-set “rocket” ear pendants are typical of the affect of the Area Race on top-end jewellery design from the Fifties onwards.

As we method the 50-year anniversary of the moon touchdown, the jewellery world continues its long-lived infatuation with cosmic influences as jewelers comparable to Chanel, Jessica McCormack, and Solange Azagury-Partridge make use of trendy iterations of these much-loved Victorian motifs and polychromatic nebula-like shade palettes.

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The enduring attract of the mysteries of area, along with the related symbolism and trending curiosity within the mystical and other-worldly, be certain that these themes are set to occupy a everlasting area within the narrative of knickknack design for years to return.



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